Hilda Palafox is not merely painting; she’s crafting a dialogue—a response to both the beauty and the challenges present in her surroundings. When we first met her, years ago, it was about the mural as a means to communicate, presenting a nuanced but universal language as a pubic act. This kind of work, the public art, reaffirmed the power of art as a vital force for change, resonating in a world that sometimes feels divided. She was a fresh aesthetic in what was, and often is, a male space. And then, with each new project, Palafox continued to elevate the conversation, creating a personal bodies of work in the studio, work as rich and complex as that of Mexico City…
Hilda Palafox is not merely painting; she’s crafting a dialogue—a response to both the beauty and the challenges present in her surroundings. When we first met her, years ago, it was about the mural as a means to communicate, presenting a nuanced but universal language as a pubic act. This kind of work, the public art, reaffirmed the power of art as a vital force for change, resonating in a world that sometimes feels divided. She was a fresh aesthetic in what was, and often is, a male space. And then, with each new project, Palafox continued to elevate the conversation, creating a personal bodies of work in the studio, work as rich and complex as that of Mexico City…
